Go anywhere, be anyone, do anything, you cannot escape the pride that you feel whenever someone mentions the word ‘India’. If culture and heritage were a currency, we would be the richest country in world. Come to think of it, we were! ‘Sone ki Chidiya’ (The Golden Sparrow) as it was lovingly and popularly known as attracted the attention of colonists and conquerors from all over the world and metamorphosed through centuries of wars, conquests and peace keeping eras! Through all of these, one thing that has remained constant is the architectural and artistic prowess of the masters.
Made as halls of knowledge, the temples were initially no more than schools where disciples would come to understand the greater mysteries of life from their ‘Gurus’. As time progressed, they too fell victim to power plays and became venues of divine race for power and religion. However, their beauty and sheer genius of architecture and science has still not dimmed.
It is this beauty that attracts thousands of tourists, students and curious architects to the country over and over again! This world Heritage Day take a tour of the most beautiful and ingenious examples of Indian craftsmanship!
Carved over a period of several centuries, the mystery of Ajanta Caves might never have been uncovered had it not been for a chance pursuit of a tiger by the British Officer John Smith in the year 1819! As old as 200 BCE, the caves are located in Aurangabad district of Maharashtra. Over the multitude of years they fell into disuse and a forest grew over and around them. Carved over many many years by different artisans, they are believed to have been made a refuge for the Buddhist monks during the rains. Some go as far as to say that they were pathways to heaven.
With numerous carvings that describe the life and times of the eras, they are like a window that one can peek through into the glorious past of India. The caves run for a mind numbing length of 29 rock cut caves, all of which have both female and male representation, which is a rare sight! Examples of immense scientific calculations are evident too, as the sun lights up cave 19 on the winter solstice and cave 26 on the Summer solstice in a precision that has persisted over the years!
Pick up any form of literature and you will notice that ‘Taj Mahal’ has forever been cited as the all enduring monument of the love of a king for a queen. But, there was one tomb before that, that a grieving widow built for the love and devotion that she felt towards her husband; The Humayun Tomb. The pioneering example of Mughal architecture, its glorious combination of Persian and Indian architecture forms was to set a prelude to an era that was to be embellished by the grandeur of Mughal architecture. Bega Begum, spent her entire life overseeing the construction and design of this tomb that was commissioned to the great Persian architect Mirak Mirza Ghiyas.
One of its kind architecture, this garden tomb houses the graves of over 150 members of the Mughal family. The UNESCO cites it’s reasons for considering it as one of the greatest examples of architecture by saying, “This building tradition culminated in the Taj Mahal, constructed a century later. Despite being the first standardized example of this style, Humayun’s Tomb is an architectural achievement of the highest order.”
The landscape of Hampi in Karnataka is replete with the flows of the great Tungabhadra River and rocky outcrops that form the major part of landscape. Amongst these picturesque settings lie a group of monuments that bear a living testament to the grandeur of the last empire of India- the Vijayanagara Empire. Displaying an innate sense of Indian craftsmanship, the group of temples is flanked by chariot structures, markets and even a courtesans’ walkway. Imagine the prosperity of the empire that has stables for elephants! The Vitthala Temple amongst these is the finest example of ornate architecture with gopurams, halls, sanctum sanctorium and sabha mandapas. The temple also has a market street right in the middle and a richly carved step well (Pushkarni).
What’s most noteworthy, is the fact that the monuments complex sports a distinctly visible Indo- Islamic style, we weren’t always at loggerheads, isn’t that great to know?
India has had a rich and varied tradition of knowledge and learning and the standing doyenne of it is Lord Buddha. A prince who left all the worldly pleasures behind to impart peace and end the suffering of this world, Siddhartha came to do penance under a Peepul tree, a tree that would later assume the name of the Bodhi tree and the region Bodhgaya. In the sanctified town of Gaya, 96 km from Patna in Bihar, lies a holy structure that marks the path that the great ascetic took to gain divine enlightenment and where Prince Siddhartha became Buddha. The temple was first constructed by the great emperor Ashoka, in 250 BC and subsequent work was carried out by the rulers of Gupta dynasty, it is one of the earliest and pioneering examples of strong brick architecture that was to dominate the Indian building styles for years to come.
Comprised of six major structures the edifice comprises of The Vajrasana Temple which towers at 50 m, a direct descendant of the original sacred Bodhi Tree and other six consecrated sites of Buddha’s illumination. The seventh structure is the beautiful Lotus Pond, where Lord Buddha spent a whole week in atonement. More than the architecture, it is the devotion of the people that has contributed to making this stunning piece of architecture a part of the UNESCO World Heritage Sites.
No text of architecture in India is complete without the mention of Sun Temple at Konark, the namesake of the city itself is an elegy to the Sun God, Kona (Corner) and Arka (Sun). On the sparkling coasts of Bay of Bengal rests this edifice that commemorates the work of the masters of ancient times. The temple has an elaborate and intricate mammoth structure that depicts the chariot of the Sun God replete with 24 carved wheels, each of them 3 m in diameter, pulled by seven horses and guarded by two lions at the entrance that bravely crush elephants.
An example of beautiful melee of science, architecture and devotions the sun dials on the temple can calculate time to the exact minute even to this day! There are also three statues of the sun god that catch the rays of the sun precisely at dawn, noon and sunset! Rabindranath Tagore has famously said about the temple “Here the language of stone surpasses the language of man.” The temple beckons to question the monotonous styles of architecture that India has regressed itself to!
Ask anyone, any man or woman about the icon they associate with India, and their answers would most likely allude to the Taj Mahal. Built by the Mughal Emperor Shah Jahan, it is one of the most grandiose gestures of love to ever be materialized on the face of earth. As famously said by the greatest poet, Rabindranath Tagore, “The Taj Mahal rises above the banks of the river like a solitary tear suspended on the cheek of time.” Inspite of the multitude of tourists that visit it, the declarations of love that it has witnessed and countless examples that it has set, there is a sense of melancholy as one approaches the monument, a sense of pain of a lover separated from his wife by death.
The Taj Mahal was built in 1653 AD by over twenty thousand artisans who toiled over 22 years! The white marble was bought in from Makrana in Rajasthan and was transported by elephants. In its days of glory the Taj Mahal was adorned with no less than 28 types of precious stones, brought in from as far as Tibet and Persia. Like the moods of his lady love, the exterior of the Taj also changes colors from a pinkish hue in the dawn to a dull gold at noon and finally, all enduring sparkling white under the moonlight. Legends say that as the emperor lay imprisoned by his own son in the Agra Fort, he derived solace from gazing at the tomb of his beloved wife, at whose side he was finally laid to rest.
Contrary to the other monuments on the list, not many know about the Champaner- Pavagadh Archaelogical Park, inhabited since the Copper Age, it remained cut off from the rest of the world until 400 A.D. Although an ancient prehistoric settlement sanctified by the presence of Goddess Kali herself, the town that started off with a thriving export of silk and other important artifacts, slowly fell into desertion and neglect after the Mughal emperor Humayun.
However, the architecture here bears a silent testimony to the era bygone and displays a fine blend of Indo- Muslim architecture, resulting in complete and unchanged Islamic pre-Mughal city. The park actually comprises of no less than 16 heritage structures than include a major mosque, a hallowed hill temple of Goddess Kali, a helical step-well, many other mosques, a city gate, a kabutarkhana and many other such standing edifices of stunning and enduring architecture.
A land frozen in time, the Champaner Pavagadh Archaelogical Park is rightfully a symbol of well-planned architecture and design prowess.
The Bhimbetka shelters, present a stunning allusion to what we now know to be the Mesolithic era, the middle stone age. At the foothills of the Vindhyan mountains, in the central state of Madhya Pradesh in India. Discovered at late as 1957, the cave paintings represent a close interaction between man and nature. So advanced are the specifics of the paintings that the life of the men around the plains, that belonged to the copper age can still be clearly seen!
A stunning 243 shelters have been identified in the Bhimbetka group and a further 178 in the Lakha Juar Group, stretching the length of the shelters to more than 10 km! The landscape and the fauna surrounding the rock shelters is called Ratapani wildlife sanctuary in which the evidence of the trees and animals depicted in the paintings inside the shelter can still be found. Earliest references to the tradition of dance can also be found here, such is the aesthetic value of these paintings that their existence is ‘timeless’!
The Ellora caves is a sculpture’s beautiful blended expression of three major Indian regions: Buddhism, Brahmanism and Jainism. There is something beautiful about this place that takes you to a journey in the past where all these religions born and grew together. The 34 monasteries and temples are carved and dug all together on the wall of a huge basalt cliff in Maharashtra. These splendors of art is a beautiful combination of, when art meets religion.
The twelve caves of the Buddhist group speaks about the benevolence of this calm religion, Buddhism. The ‘Cavern of the Ten Avatars’ is a majestic art piece constructed under the reign of Krishna I. The ethnicity of Jain group is well reflected by the sanctuaries carved by the Digambra sect of this pure religion. These gems of art are the immortal legends of the vast rock-cut architecture in India. The elegance of Dravidian Sikhara, which is a flat roofed madapa positioned over sixteen pillar, the gigantic Ravana figure reflecting the strength of this villainous legend as the sculpture here shows him lifting Mt Kailasha is an epitome of the ancient Indian art.
The beautiful Chola temples are living tales of the vast empire that Cholas established in Thanjavur. These magnificent temples built during the reign of Rajaraja were the epitome of the vast religious inclination of these rulers as the inscriptions and the chronicles on the wall sing about their opulent rule. This temple in the ancient time was note a mere religious center but a full functional business establishment which was served and maintained by a permanent staff of several hundred priests, 400 devadasi and 57 musicians.
The temple was also used for lending money to ship-owners, craft guilds and villagers on a fixed interest rates. The entire temple carved in granite is believed to be inspired by the Pallava architecture. The beautifully adorned 108 poses of the Bharata- Natyam on the walls reflects the hours of torturous patience the sculptures went through. The beautiful series of carvings depicting the legend ruler Rajaraja conversing with his guru, Karuvir Devar is stunningly sculpted in rich colors which rewinds you to the beautiful ancient time of king and queens.
Made as halls of knowledge, the temples were initially no more than schools where disciples would come to understand the greater mysteries of life from their ‘Gurus’. As time progressed, they too fell victim to power plays and became venues of divine race for power and religion. However, their beauty and sheer genius of architecture and science has still not dimmed.
It is this beauty that attracts thousands of tourists, students and curious architects to the country over and over again! This world Heritage Day take a tour of the most beautiful and ingenious examples of Indian craftsmanship!
1. The ancient mysteries of the Ajanta caves
Carved over a period of several centuries, the mystery of Ajanta Caves might never have been uncovered had it not been for a chance pursuit of a tiger by the British Officer John Smith in the year 1819! As old as 200 BCE, the caves are located in Aurangabad district of Maharashtra. Over the multitude of years they fell into disuse and a forest grew over and around them. Carved over many many years by different artisans, they are believed to have been made a refuge for the Buddhist monks during the rains. Some go as far as to say that they were pathways to heaven.
With numerous carvings that describe the life and times of the eras, they are like a window that one can peek through into the glorious past of India. The caves run for a mind numbing length of 29 rock cut caves, all of which have both female and male representation, which is a rare sight! Examples of immense scientific calculations are evident too, as the sun lights up cave 19 on the winter solstice and cave 26 on the Summer solstice in a precision that has persisted over the years!
2. The monument to love that inspired the Taj Mahal-The Humayun Tomb
Pick up any form of literature and you will notice that ‘Taj Mahal’ has forever been cited as the all enduring monument of the love of a king for a queen. But, there was one tomb before that, that a grieving widow built for the love and devotion that she felt towards her husband; The Humayun Tomb. The pioneering example of Mughal architecture, its glorious combination of Persian and Indian architecture forms was to set a prelude to an era that was to be embellished by the grandeur of Mughal architecture. Bega Begum, spent her entire life overseeing the construction and design of this tomb that was commissioned to the great Persian architect Mirak Mirza Ghiyas.
One of its kind architecture, this garden tomb houses the graves of over 150 members of the Mughal family. The UNESCO cites it’s reasons for considering it as one of the greatest examples of architecture by saying, “This building tradition culminated in the Taj Mahal, constructed a century later. Despite being the first standardized example of this style, Humayun’s Tomb is an architectural achievement of the highest order.”
3. The lasting testament to the grandeur of the Vijayanagara Empire- Hampi
The landscape of Hampi in Karnataka is replete with the flows of the great Tungabhadra River and rocky outcrops that form the major part of landscape. Amongst these picturesque settings lie a group of monuments that bear a living testament to the grandeur of the last empire of India- the Vijayanagara Empire. Displaying an innate sense of Indian craftsmanship, the group of temples is flanked by chariot structures, markets and even a courtesans’ walkway. Imagine the prosperity of the empire that has stables for elephants! The Vitthala Temple amongst these is the finest example of ornate architecture with gopurams, halls, sanctum sanctorium and sabha mandapas. The temple also has a market street right in the middle and a richly carved step well (Pushkarni).
What’s most noteworthy, is the fact that the monuments complex sports a distinctly visible Indo- Islamic style, we weren’t always at loggerheads, isn’t that great to know?
4. The temple where Lord Buddha gained enlightenment- Mahabodhi Temples
India has had a rich and varied tradition of knowledge and learning and the standing doyenne of it is Lord Buddha. A prince who left all the worldly pleasures behind to impart peace and end the suffering of this world, Siddhartha came to do penance under a Peepul tree, a tree that would later assume the name of the Bodhi tree and the region Bodhgaya. In the sanctified town of Gaya, 96 km from Patna in Bihar, lies a holy structure that marks the path that the great ascetic took to gain divine enlightenment and where Prince Siddhartha became Buddha. The temple was first constructed by the great emperor Ashoka, in 250 BC and subsequent work was carried out by the rulers of Gupta dynasty, it is one of the earliest and pioneering examples of strong brick architecture that was to dominate the Indian building styles for years to come.
Comprised of six major structures the edifice comprises of The Vajrasana Temple which towers at 50 m, a direct descendant of the original sacred Bodhi Tree and other six consecrated sites of Buddha’s illumination. The seventh structure is the beautiful Lotus Pond, where Lord Buddha spent a whole week in atonement. More than the architecture, it is the devotion of the people that has contributed to making this stunning piece of architecture a part of the UNESCO World Heritage Sites.
5. An ode to Sun God, where even stones speak up in prayer- Konark Temple
No text of architecture in India is complete without the mention of Sun Temple at Konark, the namesake of the city itself is an elegy to the Sun God, Kona (Corner) and Arka (Sun). On the sparkling coasts of Bay of Bengal rests this edifice that commemorates the work of the masters of ancient times. The temple has an elaborate and intricate mammoth structure that depicts the chariot of the Sun God replete with 24 carved wheels, each of them 3 m in diameter, pulled by seven horses and guarded by two lions at the entrance that bravely crush elephants.
An example of beautiful melee of science, architecture and devotions the sun dials on the temple can calculate time to the exact minute even to this day! There are also three statues of the sun god that catch the rays of the sun precisely at dawn, noon and sunset! Rabindranath Tagore has famously said about the temple “Here the language of stone surpasses the language of man.” The temple beckons to question the monotonous styles of architecture that India has regressed itself to!
6. A eulogy to undying love set in white marble- The Taj Mahal
Ask anyone, any man or woman about the icon they associate with India, and their answers would most likely allude to the Taj Mahal. Built by the Mughal Emperor Shah Jahan, it is one of the most grandiose gestures of love to ever be materialized on the face of earth. As famously said by the greatest poet, Rabindranath Tagore, “The Taj Mahal rises above the banks of the river like a solitary tear suspended on the cheek of time.” Inspite of the multitude of tourists that visit it, the declarations of love that it has witnessed and countless examples that it has set, there is a sense of melancholy as one approaches the monument, a sense of pain of a lover separated from his wife by death.
The Taj Mahal was built in 1653 AD by over twenty thousand artisans who toiled over 22 years! The white marble was bought in from Makrana in Rajasthan and was transported by elephants. In its days of glory the Taj Mahal was adorned with no less than 28 types of precious stones, brought in from as far as Tibet and Persia. Like the moods of his lady love, the exterior of the Taj also changes colors from a pinkish hue in the dawn to a dull gold at noon and finally, all enduring sparkling white under the moonlight. Legends say that as the emperor lay imprisoned by his own son in the Agra Fort, he derived solace from gazing at the tomb of his beloved wife, at whose side he was finally laid to rest.
7. A land surrounded by misfortune, beautified by architecture- Champaner- Pavagadh Archaelogical Park
Contrary to the other monuments on the list, not many know about the Champaner- Pavagadh Archaelogical Park, inhabited since the Copper Age, it remained cut off from the rest of the world until 400 A.D. Although an ancient prehistoric settlement sanctified by the presence of Goddess Kali herself, the town that started off with a thriving export of silk and other important artifacts, slowly fell into desertion and neglect after the Mughal emperor Humayun.
However, the architecture here bears a silent testimony to the era bygone and displays a fine blend of Indo- Muslim architecture, resulting in complete and unchanged Islamic pre-Mughal city. The park actually comprises of no less than 16 heritage structures than include a major mosque, a hallowed hill temple of Goddess Kali, a helical step-well, many other mosques, a city gate, a kabutarkhana and many other such standing edifices of stunning and enduring architecture.
A land frozen in time, the Champaner Pavagadh Archaelogical Park is rightfully a symbol of well-planned architecture and design prowess.
8. A portal to the historic and prehistoric era- Bhimbetka Shelters
The Bhimbetka shelters, present a stunning allusion to what we now know to be the Mesolithic era, the middle stone age. At the foothills of the Vindhyan mountains, in the central state of Madhya Pradesh in India. Discovered at late as 1957, the cave paintings represent a close interaction between man and nature. So advanced are the specifics of the paintings that the life of the men around the plains, that belonged to the copper age can still be clearly seen!
A stunning 243 shelters have been identified in the Bhimbetka group and a further 178 in the Lakha Juar Group, stretching the length of the shelters to more than 10 km! The landscape and the fauna surrounding the rock shelters is called Ratapani wildlife sanctuary in which the evidence of the trees and animals depicted in the paintings inside the shelter can still be found. Earliest references to the tradition of dance can also be found here, such is the aesthetic value of these paintings that their existence is ‘timeless’!
9. The integral land of three beliefs, The Ellora Caves
The Ellora caves is a sculpture’s beautiful blended expression of three major Indian regions: Buddhism, Brahmanism and Jainism. There is something beautiful about this place that takes you to a journey in the past where all these religions born and grew together. The 34 monasteries and temples are carved and dug all together on the wall of a huge basalt cliff in Maharashtra. These splendors of art is a beautiful combination of, when art meets religion.
The twelve caves of the Buddhist group speaks about the benevolence of this calm religion, Buddhism. The ‘Cavern of the Ten Avatars’ is a majestic art piece constructed under the reign of Krishna I. The ethnicity of Jain group is well reflected by the sanctuaries carved by the Digambra sect of this pure religion. These gems of art are the immortal legends of the vast rock-cut architecture in India. The elegance of Dravidian Sikhara, which is a flat roofed madapa positioned over sixteen pillar, the gigantic Ravana figure reflecting the strength of this villainous legend as the sculpture here shows him lifting Mt Kailasha is an epitome of the ancient Indian art.
10. Where the walls sing and sculptures dance, the Chola temples
The beautiful Chola temples are living tales of the vast empire that Cholas established in Thanjavur. These magnificent temples built during the reign of Rajaraja were the epitome of the vast religious inclination of these rulers as the inscriptions and the chronicles on the wall sing about their opulent rule. This temple in the ancient time was note a mere religious center but a full functional business establishment which was served and maintained by a permanent staff of several hundred priests, 400 devadasi and 57 musicians.
The temple was also used for lending money to ship-owners, craft guilds and villagers on a fixed interest rates. The entire temple carved in granite is believed to be inspired by the Pallava architecture. The beautifully adorned 108 poses of the Bharata- Natyam on the walls reflects the hours of torturous patience the sculptures went through. The beautiful series of carvings depicting the legend ruler Rajaraja conversing with his guru, Karuvir Devar is stunningly sculpted in rich colors which rewinds you to the beautiful ancient time of king and queens.
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